Kinshasa, the Congolese capital, is home to a movement built on the art of recycling and making DIY instruments sound good.

For Analog Africa’s extensive compilation on Zimbabwe’s rock scene in the 1970s, we take a look at the state of the genre on the continent at the time.

For the release of the Saharan group’s new album Amatssou (fear), one of the key members – Abdallah Ag Alhousseini – gave an interview to PAM in the desert of southern Algeria to talk about Tinariwen’s destiny and their message.

This legendary band, formed in 1973 by young Algerians from France, was an unrivalled laboratory for blending rock influences with Kabyle and North African traditions. The Swiss label Bongo Joe has dedicated a compilation to the group: Amazigh Freedom Rock.

PAM unwinds the fabric of one of Salif Keita’s cult albums, Moffou, released 20 years ago and recieving a new reissue for the occassion.

The man from Martinique who blended Creole poetry and the flute of Martinique’s mountainous regions had an incandescent and singular trajectory. The child from Marigot, composer of the song “Bwa Brilé”, continues to inspire younger generations today.

The label Mr Bongo has reissued a rare gem by the South African saxophonist Winston Monwabisi Ngozi aka Mankunku; a masterpiece of South African jazz recorded during Apartheid.

A few weeks before his passing on 28th September 1991, Miles Davis gave his final concert at a jazz festival in Vienne. Now, 30 years later, the recording has been released. Story by Jacques Denis, who was there…