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The Pan African Music Magazine
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Tinariwen,  a message in a time of heightened fear
Feature
Tinariwen, a message in a time of heightened fear

For the release of the Saharan group’s new album Amatssou (fear), one of the key members – Abdallah Ag Alhousseini – gave an interview to PAM in the desert of southern Algeria to talk about Tinariwen’s destiny and their message.

Les Abranis: peace, love, and Kabylie
Feature
Les Abranis: peace, love, and Kabylie

This legendary band, formed in 1973 by young Algerians from France, was an unrivalled laboratory for blending rock influences with Kabyle and North African traditions. The Swiss label Bongo Joe has dedicated a compilation to the group: Amazigh Freedom Rock.

Moffou, Salif Keïta’s cult album, turns 20
Feature
Moffou, Salif Keïta's cult album, turns 20

PAM unwinds the fabric of one of Salif Keita’s cult albums, Moffou, released 20 years ago and recieving a new reissue for the occassion.

Eugène Mona: A comet in Caribbean skies
Feature
Eugène Mona: A comet in Caribbean skies

The man from Martinique who blended Creole poetry and the flute of Martinique’s mountainous regions had an incandescent and singular trajectory. The child from Marigot, composer of the song “Bwa Brilé”, continues to inspire younger generations today.

Mankunku : “The Bellowing Bull” bellows again
Review
Mankunku : "The Bellowing Bull" bellows again

The label Mr Bongo has reissued a rare gem by the South African saxophonist Winston Monwabisi Ngozi aka Mankunku; a masterpiece of South African jazz recorded during Apartheid.

Merci Miles! The trumpeter’s final concert at Vienne
Feature
Merci Miles! The trumpeter’s final concert at Vienne

A few weeks before his passing on 28th September 1991, Miles Davis gave his final concert at a jazz festival in Vienne. Now, 30 years later, the recording has been released. Story by Jacques Denis, who was there…

Wau Wau Collective: An unclassifiable union
Feature
Wau Wau Collective: An unclassifiable union

The outcome of an encounter between the Swedish musician-producer Karl Jonas Winqvist and musicians from the Toubab Dialaw village in Senegal, this collective recording, which evolved through jam sessions and WhatsApp exchanges, represents a strange vessel that traverses the Mediterranean soundscape. Read PAM’s full interview.

“Young Gifted and Black”: nothing could stop Aretha
Feature
“Young Gifted and Black”: nothing could stop Aretha

Nina Simone’s song became Aretha Franklin’s hit. It’s many covers attest to how much it has spoken and continues to speak to black artists from the US and elsewhere.